Inhuman Genome

This densely populated transmission of sonic contortion, designed as the official score to the novella of the same name, weaves through neural pathways previously untouched by conventional sound.

Psychedelic explorations meet rock and metal guitars and drums that hide the subliminally encoded sounds to make your brain vibrate at exactly 462 Hz before ramping to 724 and then back down to 231—the exact combination to crack open your consciousness like a vault.

Originally conceived as the soundscape for a haunted house, I was compelled to create two versions, both of which are terribly dark and disturbing.

The euphoric sounds of the witnessing of the final desolation. A solitary being roams a world stripped of all life. Only petrified tree trunks and regret remain.

I Am the Phantom was born in 2010 as a collaboration between experimental and psychedelic musician Dane Clark Collins, poet and rapper Isaac Daniel Labrache, and beatboxer Ryan Dennler.

An instrumental rock album like no other. Weird, experimental, psychedelic, and did I say weird? But also a great rock album.

A strange journey between isolation and belonging. Dissonance and beauty. Discomfort and bliss. Experimental and musical.